Review of Dr. Bernstein’s Diabetes Solution

Dr. Bernstein's Diabetes Solution: The Complete Guide to Achieving Normal Blood SugarsDr. Bernstein’s Diabetes Solution: The Complete Guide to Achieving Normal Blood Sugars by Richard K. Bernstein
My rating: 5 of 5 stars

This book is a life-changing book for me. I have been a Type 2 diabetic for a little over 10 years, and never quite got my blood sugars as low as my doctor would like. I tried following the recommended diets, but while the results were not awful, it was a constant struggle. Meanwhile, my medication doses were slowly rising, and my doctor started suggesting that maybe we would need to move to insulin injections. But since starting this book and understanding what Dr. Bernstein is saying, my blood sugars have been excellent, I am losing weight, and I feel like I am in control of my life. IF you or anyone you know is a diabetic, I urge you to look at this book.

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Review of The Rational Optimist: How Prosperity Evolves

The Rational Optimist: How Prosperity EvolvesThe Rational Optimist: How Prosperity Evolves by Matt Ridley

My rating: 3 of 5 stars

This is a book that I gave 3-stars to because parts of it are 5-star and parts are 1-star, so this is how it averages out. If you are reading to the right stuff, it is invaluable, but if you read it uncritically you would be making a big mistake.

First, the good stuff. Ridley does a great job of puncturing the “doom-and-gloom” view that everything is going wrong and the world is on a downhill slide. He points out that people having been saying this for a very long time, and events tend to prove them wrong. I’m reminded of the quote that was making the rounds in my youth about “kids these days…” and it turned out to have been written in ancient Greece over 2,000 years ago. Plus ca change, plus c’est la meme chose. A lot of that dim view comes from thinking unclearly. For instance, an example he notes is the famous Club of Rome report published in 1972 called The Limits to Growth. This book showed how we would be clean out of every resource you could name by the late 80s to mid-90s. How many of you remember when we had no oil, no steel, no copper, etc.? I don’t remember it either, because it never happened. And Ridley is very clear on just why this is so, and he gets it right. The reason is that when a non-renewable resource starts to get into short supply the price rises, and this rising price causes conservation on the demand side, a search for substitutes, and the increased exploration for new supplies. And this is exactly what happened in the 1970s and 1980s when oil seemed to be in short supply. This is not a new observation, Hotelling wrote about this in the early 20th century, but it is a good idea to keep basic economics in mind when addressing resource issues.

Where he goes wrong, in my view, is taking this basic insight into an extreme of Panglossian optimism that says all problems we might think exist are simply figments of our over-active imaginations, and that if we would just relax and let free markets take over everything would be wonderful. In the end he seems to say that you should ignore scientists on issues such as global warming because what do they know really? He has a view that unrestricted capitalism and markets will solve all problems, which probably plays well in Libertarian circles, but is more extreme than even most economists would go.

So, if you read it for a useful guide to the many things that do go right in the world, that is good. And reminding us of the very definite benefits of markets, specialization, and exchange is always useful. But on this topic Adam Smith did it better and with more nuance in the 18th century.

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Review of The Daemon, the Gnu, and the Penguin

The Daemon, the Gnu, and the PenguinThe Daemon, the Gnu, and the Penguin by Peter H. Salus

My rating: 4 of 5 stars

I give this a high rating because it does what it sets out to do very well.Peter Salus was involved in the history of Unix and Linux, which makes him a good guide to that history. He presents it in a straightforward and spare style, so don’t expect a gripping page turner. But if you want to have good accurate data on who did what and when, this book will deliver. Also, it is a relatively quick read because of his spare style.

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Review of I Live In The Future & Here’s How It Works

I Live in the Future & Here's How It Works: Why Your World, Work, and Brain Are Being Creatively Disrupted
My rating: 3 of 5 stars

I think this book would be a good one for your older relative who doesn’t understand everything going on in the online world. It covers how old businesses are going over the cliff, and new business models will need to be created. If you are like me, and have been parked in front of a computer screen with an internet connection every day for the last 15 years, you probably won’t find a whole lot here you didn’t already know. So it is not a bad book, but nothing terribly revolutionary here. Yes, we will soon be reading most things on screens instead of print on paper. Yes, the advertising support is moving away from print to online. You know, this book is a couple of years old, and maybe it is just that in that time we have all gotten used to the changes.

I read this in the Nook e-book edition.

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Who Owns Your Files?

Recently a Norwegian Kindle owner named Linn suddenly found her Kindle had been wiped clean of all the books she had purchased from Amazon. Whether this was a simple mistake or yet another act of evilness is not the main point of what I want to say here. It could have been either, or both, and it would not be relevant. The key is that Amazon could do this, and the “owner” could do nothing. According to Amazon’s Kindle Store terms of use, “Kindle content is licensed, not sold”. If you try to remove the DRM (not hard to do, actually) or transfer your purchase to another device, Amazon may legally “revoke your access to the Kindle Store and the Kindle Content without refund of any fees.”

This particular type of evil is traceable to the software industry. They introduced the concept which you see expressed at the beginning of every EULA for proprietary software “This software is licensed, not sold”. Note the identical language here? This was a questionable practice when done by the software industry, and court cases have gone both ways on whether this is enforceable. And a well-crafted court case might over-throw Amazon’s use of this tactic since they clearly say you are “Buying” when you are on the Web site or purchasing from within the app or Kindle device. But that is not what I rely on. And while I know how to break DRM, and anyone sufficiently motivated can find out how to do that with a little Googling, I don’t think that is the optimal response either.

To me the optimal response would be one that punished companies that impose DRM and take ownership away from you even though you give them your hard-earned money. And the only way to do that is not do business with them. You see, if you buy an e-book from Amazon and then break the DRM, you haven’t sent any kind of message to them. If instead you patronize a seller that does not impose DRM, you send a signal that you will pay for products that respect your freedom. Fortunately, that is increasingly possible where e-books, audiobooks, and music are concerned. But this is a strategy that is not without its drawbacks, so you need to understand the trade-offs and go into this with your eyes open.

The first thing to understand is that it is primarily the publishers and rights-holders that insist on the DRM. Some of them have discovered that removing DRM does them no harm, and may do them some good. And if these companies start to see increased sales from dropping DRM and giving you back the rights you would normally have with a physical product, it might move the rest of the industry to stop being so evil. What rights do we mean? Well, if I buy a CD I can lend it to my friend. If I buy a book I can sell it to a used book store when I am done. When I die, I can pass along my books and CDs to my heirs. They may just sell them all, but the point is that I have ownership rights to any physical product that allow me to own the product and act accordingly. When those products become digital and you encounter the “this product is licensed not sold” what has just happened is that all of your rights have been removed.

Because some rights holders have become enlightened, but others have not, the main trade-off you would encounter is that some products you might want to purchase are not available in ways that respect your freedom. For some people that might be a deal-breaker, but for me it is not. If I want to buy music, there is so much good stuff available to me that I could never get enough money to buy it all. But if I specifically want to buy the latest hit track that is on the top of the charts I may not be able to do it if the record company is one of the troglodytes. As it happens I am one of those curmudgeons who thinks most of the music that is “popular” today is crap anyway, so I don’t really mind. As long as I can find lots of music I like to listen to, I am happy. Same thing with books (both e-books and audiobooks). I can only read or listen to so many books in the time I have (for me, time is more of a limit than money for these things). I can find more books than I have time for, books that I really want to read/listen to, without giving up my rights. But again, if I wanted to get the latest #1 book on the New York Times bestseller list, I might not be able to get it in a format that respects my freedom. For me, I don’t care. I figure it is their loss when I don’t buy their book. But this is the essential trade-off you will encounter if you go for freedom, you will have to occasionally accept that some products are just not available on those terms. My hope is that if enough people do value freedom enough to deliberately make those purchases, this will send a two-pronged market signal: publishers that do not respect your freedom will see sales go down, and publishers that do respect your freedom will see sales go up. As an example, the recent Humble e-book bundle, which was DRM-free files that do respect your freedom, sold so many copies that each book in the bundle would have qualified as a New York Times bestseller if the New York Times counted e-books. Which they will eventually when they solve their rectal-cranial insertion problem. So how do you do this? Fortunately it is not that hard. I will mention some of the options, but the good news is that there are so many options available that I cannot list them all.

Music

The first question here is whether you are looking for traditionally sold-by-the-record-company tracks or the more indie Creative Commons self-published tracks. Both have their options, including some that are hybrids.

Major Label tracks, online storage and streaming

  • eMusic – Monthly subscription lets you buy tracks priced at $.49 – $.79. No DRM. Tracks are from record labels, and a lot of back catalog is available.
  • Amazon – Bad as they are with e-books and audiobooks, they sell tracks from the major labels without DRM. A little more expensive than eMusic, but more likely to have that one track you must must have if eMusic doesn’t have it. Also offers online storage and streaming of your tracks.
  • iTunes – iTunes, which initially sold tracks with DRM, switched to selling tracks without DRM beginning in 2007. So this is an option as well. Does not currently offer online storage and streaming, but this may arrive in 2013 according to news reports.
  • Google Play – Also offers DRM-free tracks form the record labels.Also offers online storage and streaming of your tracks.
  • Ubuntu One – Yet another DRM-free source for major label tracks.Also offers online storage and streaming of your tracks.

Indie and Creative Commons

  • Soundcloud – This is a music and audio sharing site, primarily.
  • Free Music Archive – Lots of CC-licensed music.
  • Jamendo – One of the premiere CC music sites.
  • Bandcamp – I just learned about this site from my friend Craig Maloney, who does the Open Metal Cast. This site has Creative Commons music from bands who want to build a relationship with their fans and sell them music. Good artists like Amanda Palmer are here.

e-Books

When it comes to books, you really are at the mercy of the individual publishers. Most music labels have finally come to accept that no DRM is the best way to go, but must book publishers are still being dragged into the 21st century kicking and screaming. But there are some good places to find e-books that respect your freedom.

  • Project Gutenberg – This is the granddaddy of the DRM free book sites. Project Gutenberg makes available books that are in the Public Domain, i.e., where the copyright has run out. These are mainly older books, but a lot of classics are in here. They make books available in all of the major formats.
  • Baen Books – This publisher specializes in the harder Science Fiction, but they really understand the new media landscape. They not only offer most of their books DRM-free and in multiple formats, but they also have the Baen Free Library, where they offer selected books free of charge. The hope is that with the first taste free, you will want to buy more. And it works. I went there to see what they had, discovered that they had the entire collected works of one of my favorite authors (James H. Schmitz) for sale, and bought the lot of them.
  • Tor/Forge – A major publisher in the Science Fiction and Fantasy fields, they just moved to going DRM free a few months ago. They did this because other publishers had been successful in so doing.
  • Angry Robot – Along with Baen, a pioneer in selling DRM-free books in the Science Fiction and Fantasy fields.
  • Avon Romance – A major publisher of romance novels, they just announced that they are experimenting with DRM-free ebook sales.
  • O’Reilly Media – The premiere publisher of technical books, they pretty get everything right. They sell e-books without DRM. When a new edition of a book you already bought comes out you can “upgrade” for a nominal fee (e.g. I upgraded my Kevin Purdy “Android” book for $1). And with older books that they think are no longer worth in print, they are removing the copyright and making them freely available.
  • ManyBooks.net – This site has a lot of overlap with Project Gutenberg, but also has some newer works that have been made available, such as Charles Stross’s Accelerando.
  • Fictionwise – Although heavy on the Science Fiction and Fantasy, has a lot of offerings in other genres as well. Reasonably priced and DRM-free.
  • Cory Doctorow – Cory was one of the first authors to make a point of offering all of his works not only DRM-free but free of charge in e-book formats from his Web site. But you know, when the book he co-authored with Charles Stross Rapture of the Nerds came out recently I went to the Google Play store and bought it.
  • DriveThru Fiction – An interesting site that also has Comics and RPG games available.
  • Apress – A publisher of technical books that also offers reduced-price e-books if you have already purchased the print title. This is something I’d like to see more of.
  • Packt Publishing – Another technical book publisher with DRM-free books.

Audiobooks

This is where there is still a big disappointment. Audible, which is by any measure the clear leader here, insists on DRM on all of their books, which is why I refuse to get an account. Audible is now owned by Amazon, which sells music tracks as MP3 files without DRM, so there was hope when they bought Audible that we could get DRM-free audiobooks, but that was not the case. Fortunately, there are alternatives.

  • eMusic – This is the same site I mentioned above for DRM-free musci tracks. They also offer a subscription plan for audiobboks, $10 a month gets you one book. Selection is not as good as Audible, but their list is growing all of the time and I have had no trouble finding books there that interest me. I recently listened to Walter Isaacson’s biogrpahy of Albert Einstein through a book I bought here.
  • Podiobooks – This site offers audiobooks in serialized form, much like podcasts offer you a file every week. Heavy on the Science Fiction and Fantasy at this point, but worth checking out. Scott Sigler and J.C. Hutchins are both available here, for instance.
  • Scott Sigler – Scott used free content to get his name out, but still offers free audio versions on his web site even though he now has a publisher.
  • Cory Doctorow – Cory in addition to offering free ebooks also offers audiobooks that are DRM-free on a “name your own price” basis. Among the readers on his books are Neil Gaiman, Wil Wheaton, Spider Robinson, and Leo Laporte. He even sells files and CDs in Ogg format if you prefer to get your files that way. Due seriously gets freedom, but if you know anything about Cory Doctorow you know that.

Conclusion

This is a really long post already, so I will keep the conclusion brief. First, as I said above, the alternatives are not always perfect. Particularly with Audiobooks your selection is less than if you were willing to give your rights away. But there are enough that you can always find stuff you will enjoy. Second, I probably missed many of the alternatives. The marketplace is changing rapidly and I don’t always know everything going on. I just wanted to demonstrate that there are a sufficient number of viable alternatives that you don’t have to sacrifice your freedom. So if you do get caught by DRM, it is because you chose to. Third, while some of these offerings are free of charge, that is not the point. I selected items on the basis of respecting your rights and freedoms, and most of them require payment. In fact, that is the point. As Patrick Nielsen Hayden of Tor books pointed out, it was the commercial success of publishers that offered DRM-free books that got his company to try the experiment. We don’t move the market by trying to find ways to not pay. We move the market by voting with our dollars for products that respect us. I hope I have given you enough ideas that you can help us to move to a DRM-free world.

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Review of Signing Their Rights Away

Signing Their Rights AwaySigning Their Rights Away by Denise Kiernan
My rating: 3 of 5 stars

This is not a page turner. What this is really useful for is a bathroom book. Small, digestible chunks that let you read a little and put the book down. What this book does is present brief biographical sketches (around 4-5 pages each) of each of the signers of the U.S. Constitution. This is fine for what it is, and I enjoyed reading it, but don’t go into it with the wrong idea. If you go into this looking for a serious work of historical analysis you will be very disappointed. At the end is the Constitution itself, and a section of trivia about it.

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Monty Montgomery on Music Encoding

Monty Montgomery is perhaps best known as the main person behind the OGG audio and video formats. He is pretty knowledgable about these things, so when he says most people are asking for the wrong things, I think it is worth paying attention. He did a detailed write-up at http://people.xiph.org/~xiphmont/demo/neil-young.html. The title of the post is 24/192 Music Downloads…and why they make no sense.

Monty gives a lot of detail on what this all means, but let’s start with what we mean by 24/192. The 24 refers to 24-bit encoding, and the 192 is a reference to 192kHz frequency range.  So why are these both bad choices?

The 192kHz range goes beyond what human ears are capable of hearing. Despite what some people may believe, there are physiological limits to what any ear is capable of. You might think that worst-case, the extra frequencies are just wasted, but that is not all. Because your sound reproduction equipment does not have the same limitations as human ears do, the equipment will do its best to reproduce those sounds, and in so doing is likely to cause interactions that actually reduce the fidelity of the sounds you are capable of hearing. So instead of higher numbers making things better, they make things worse.

For the 24-bit, things are a little better. For the home user, going to 24-bit only wastes space by making files bigger, but does not reduce fidelity. There are special cases where using 24-bit recording in a studio while making the original recording could make sense, but the home user will probably never encounter those cases.

Monty’s bottom line is that 16-bit, 44.1kHz recording is as good as it gets, and this has been born out in controlled double-blind studies. You can read his article for the details (and you should if you are at all interested), but for the home user the result is clear: encode at 44.1kHz, 16-bit, and you will have the best recording you can hear.

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Review of A History of Europe

A History of EuropeA History of Europe by John Morris Roberts
My rating: 4 of 5 stars

I read the audiobook version.

People who know me well enough will learn that my first degree was in History, and it is still a strong interest for me. This book by J.M. Roberts is the kind a sweeping history that he is best known for, in this case looking at Europe from the pre-historic times up to the very recent present. I don’t think you read this to get an in-depth examination of a particular topic (contrast this with the Eisenstein history of printing I reviewed previously). I got this as an audiobook to enjoy on my rather long commutes, and it performed that role very nicely.

As happens with a book like this, the time scale shrinks as you move forward. While the first chapter covers millenia blithely, by the last part of the book a whole major section is devoted to the 20th century. Since that is our own time it shows a certain bias, but probably one that is congenial to most people.

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Review of Physics Of The Impossible

Physics of the Impossible: A Scientific Exploration into the World of Phasers, Force Fields, Teleportation, and Time TravelPhysics of the Impossible: A Scientific Exploration into the World of Phasers, Force Fields, Teleportation, and Time Travel by Michio Kaku
My rating: 4 of 5 stars

This was a fun book. I won’t claim that it is cosmically significant, but sometimes I enjoy relaxing with a book that is fun to read, and this book was that for me. Michio Kaku is one of those people that is always fun to follow. You may have seen him on TV where he has a show that is similar to this book.

The ideas is that he takes a number of ideas familiar from Science Fiction, and asks if they are possible, or truly impossible. Some things we can’t do now, but maybe there is way we can do it in the future without violating the laws of physics as we know them. Other things would require a new understanding that the laws of physics are not quite what we think. That has happened before, and there is no a priori reason to think it can’t happen again.

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Review of Abundance: The Future Is Better Than You Think

Abundance: The Future Is Better Than You ThinkAbundance: The Future Is Better Than You Think by Peter H. Diamandis
My rating: 5 of 5 stars

I read this as a Nook eBook.

The global climate is changing and the ice caps are melting. Civil liberties are eroding. Romney is rising in the polls.

There are a lot of reasons to be pessimistic about the state of the world. If you are inclined that way, this book is a useful corrective.

I can’t say that a whole lot of this book was new to me, since I follow many of these topics already. He brings in the exponential growth curves that Ray Kurzweil has popularized (think Moore’s Law, but applied to a lot more than just transistors on silicon). And a key concept he brings in is that energy is very close to being abundant, cheap, and clean. We are within just a few years of solar voltaic electricity being cheaper than what you are buying right now from your utility. As Dana Blankenhorn likes to say “There is no energy shortage. The sun shines, the wind blows, the tides roll, we live on a molten rock.” This one factor alone is going to make for radical change soon.

Another factor he points to is what he calls “the rising billions”. People themselves are a resource, and we are creating the technology to empower them without even intending to do so. Even the poor now have access to the Internet through cell phones. So the future is going to be radically different.

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